Mon, 31 January 2011
Colin Marshall talks to Luke Fischbeck, founder of Los Angeles experimental music group, art-creation unit, and engine of community Lucky Dragons at the 2011 Art Los Angeles Contemporary international art fair in Santa Monica. Alongside collaborator Sarah Rara, Fischbeck performs with conventional instruments, unconventional instruments, video, improvisation, incompatible technologies, and audience collaboration. The Wire calls their music "a celebration of ancient shared memory and introspective spirituality." Lucky Dragons perform at the Santa Barbara Contemporary Arts Forum on Thursday, February 3 at 7:00 p.m. |
Sun, 23 January 2011
Colin Marshall talks to David Edmonds, co-host with Nigel Warburton of the popular philosophy podcast Philosophy Bites. Edmonds and Warburton have also collaborated on a new book, Philosophy Bites: 25 Philosophers on 25 Intriguing Subjects. The text features conversations from the podcast, including Peter Singer on animal rights, Alain de Botton on architecture, Adrian Moore on infinity, and Barry Smith on wine. |
Wed, 19 January 2011
Colin Marshall talks to Darcy Paquet, film critic and author of New Korean Cinema: Breaking the Waves. Since 1999, Paquet has maintained the web site Koreanfilm.org as the premiere destination for Anglophone lovers of Korean cinema, which has experienced an unprecedented explosion of creativity and artistry since the beginning of the decade. In his book and on his site, Paquet discusses such vital Korean filmmakers as Bong Joon-ho (The Host, Memories of Murder), Hong Sang-soo (Woman is the Future of Man, Virgin Stripped Bare by Her Bachelors), Kim Ki-duk (Spring, Summer, Fall, Winter… and Spring, 3-Iron), and Park Chan-wook (Oldboy, Joint Security Area). |
Sun, 9 January 2011
Colin Marshall talks to book critic and former Los Angeles Times book editor David L. Ulin. He’s also the editor of several anthologies of Los Angeles writing and the author of The Myth of Solid Ground. His latest book The Lost Art of Reading examines changes in his own and others’ style of engagement with books in the age of fragmented attention, always-flowing information sources, and countless outlets for on-demand media. |