Colin Marshall talks to Gabriel Josipovici, author of many novels and critical essays involved with the aesthetics and techniques of modernism. In his latest book, What Ever Happened to Modernism?, he traces modernism’s roots further back in history than perhaps any other scholar of modernism has done before. It’s all in the service of the titular question, which expresses a deep concern of anyone who enjoys modernist works today: how and why has the Western world so largely ignored the excitement and potential of modernist art, that is, art conscious of its own limits and responsibilities?

Colin Marshall talks to Jonathan Rosenbaum, former Chicago Reader film critic, advocate of international cinema, and author of books on Orson Welles, Abbas Kiarostami, and Jim Jarmusch’s Dead Man. In his latest, Goodbye Cinema, Hello Cinephilia: Film Culture in Transition, he examines the way serious engagement with film has changed over the decades, what new experiences it has brought to enthusiasts and critics, and what possibilities it has opened for cinematic artists.

Colin Marshall talks to critic Scott Esposito, blogger at Conversational Reading, editor of The Quarterly Conversation, and marketing coordinator at the Center for the Art of Translation. A lover and promoter of today’s most interesting fiction, Esposito writes about fiction at the intersection of the experimental and the international. This conversation took place at the Association of Writers and Writing Programs’ 2011 conference in Washington, D.C.

Colin Marshall talks to cultural journalist Saul Austerlitz, author of Money for Nothing: A History of the Music Video from the Beatles to the White Stripes and, most recently, Another Fine Mess: A History of American Film Comedy, which examines the careers of beloved U.S. comedy icons like Woody Allen and the Marx Brothers as well as more cultishly comedic figures like Albert Brooks as well as filmmakers not normally associated directly with comedy, like Robert Altman and the Coen brothers.