A second brief preview of Notebook on Cities and Culture, the new in-depth, face-to-face interview show with cultural creators, internationalists, and observers of the urban scene coming February 2012 — after a Kickstarter fund drive beginning January 26.

A second brief preview of Notebook on Cities and Culture, the new in-depth, face-to-face interview show with cultural creators, internationalists, and observers of the urban scene coming February 2012 — after a Kickstarter fund drive beginning January 26.

A brief preview of Notebook on Cities and Culture, the new in-depth, face-to-face interview show with cultural creators, internationalists, and observers of the urban scene coming February 2012. (With maybe a Kickstarter funding campaign beforehand. I don't know yet.)

Colin Marshall makes an announcement on the end of The Marketplace of the Ideas and the future of cutural conversation of the depth you demand.

Colin Marshall talks to Alan Nakagawa; sound artist; visual artist; installation artist; founding member of Los Angeles' long-running, multi-disciplinary, multi-ethnic, soon-to-be-dissolved arts collective Collage Ensemble; director of the experimental music Ear Meal webcast; L.A. Metro public art executive; member of Otonomiyaki, the Southern California Soundscape Ensemble and Ear Diorama Ear; and very serious eater indeed.

Recorded on location in Mexico City, Colin Marshall talks to David Lida, author of First Stop in the New World, Las llaves de la ciudad, Travel Advisory: Stories of Mexico, and the blog Mostly Mexico City. A native New Yorker, Lida moved to Mexico City in 1990 — a year considered by many to have been the megalopolis' absolute nadir in terms of crime, crowding, and pollution — and hasn't looked back, becoming the best-known English-language chronicler of el Distrito Federal in the 21st century.

Colin Marshall talks to Laurie Ochoa and Joe Donnelly, founding editors of the new Los Angeles literary journal Slake. The magazine, which has just released its third issue, combines fiction, poetry, essays, reportage, photography, and several different kinds of visual art into a regular exploration of Los Angeles from every angle — and an exploration of the rest of the world from a Los Angeles angle.

Colin Marshall talks to J. Hoberman, senior film critic at The Village Voice and author of books on such cinematic subjects as 8mm and Super 8 pictures, Dennis Hopper, the 1960s, midnight movies, and Yiddish tradition. In his latest title, An Army of Phantoms: American Movies and the Making of the Cold War, he examines the American decade from 1946 to 1956, a time of "cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, atomic tests on live TV, God talks on the radio, and Joe McCarthy bracketed with Marilyn Monroe."

Colin Marshall talks to Chris Andrews, Katherine Silver, and Rosalie Knecht, English translators of the Argentine novelist César Aira, whom some readers in the Anglosphere are now finding as exciting as Borges. Despite having published over fifty books since 1975, Aira has only recently broken into English with novels such as An Episode in the Life of a Landscape Painter, How I Became a Nun, Ghosts, The Literary Conference, and the new The Seamstress and the Wind that showcase his ability to balance the fine-grained observational detail of with outlandish fantasy and the methodical work habits and genre sensibilities of a mainstream author with the experimentalism and caprice of the avant-garde.

Colin Marshall talks to Peter Toohey, professor of Greek and Roman studies at the University of Calgary and author of Boredom: a Lively History. You don't need to keep your finger on the pulse of the contemporary scene to realize how important a subject boredom has become. We've all felt the emotion often — or at least we all think we feel it often. But we've also long felt the absence of a serious exploration of boredom, one that drills down to its true nature. Could Toohey have explained what we're experiencing when we experience boredom and why?